Charakter

[…] (yellow diasper; inscription in a circle enclosing magical charakteres on two lines; other letters (?) and charakteres on the rim; scorpion on the reverse; 3rd cent. A.D.; N. 660/661) […]

Among the roughly forty curse-tablets found, mainly by French army officers in the late nineteenth century, at Hadrumetum, is a group of texts exhibiting a common feature, namely that they contain recurring sequences of charakteres. In this form they have not been found elsewhere; moreover, the individual charakteres are also different from magic signs found elsewhere.

The great majority of charaktêres, like the majority of voces magicae, were never memorized – they were simply produced on one occasion. That is why there could be so many of them. We shall see this principle emphatically re-asserted in the medieval and early-modern shift from the charaktêr to the sigillum.

Such hissings and poppings are not the only incomprehensible signs that the theurgists use to make contact with the divine; various sources make mention of charakteres, incomprehensible drawn figures that seem to resemble letters or images but without any clear iconic resemblance.