Dorveille

[Lancelot] has witnessed the miraculous cure of his fellow knight, but he understands nothing of what he has seen in his somnolent dorveille.

The poetic voice describes how, sleepless with lovesickness, he goes to the chapel, seeking respite. As he meditates there upon the cause of his "passion", he […] enters into a state of dorveille and has a vision populated with women

dorveille is a peculiar psychic, physical, and spiritual condition traditionally suffered by the narrator or human protagonist of the allegorical poem. Dorveille can involve the bodily exhaustion that overcomes the narrator at the outset of his text. The classic example is Dante, who, at the opening of Inferno 1, describes himself as pien di sonno – "full of sleep" (line 11). Dorveille can also involve the hypnotic lull and dizziness that overcomes the weary horseman who, as he narrates his poem, suffers from a wandering sense of attention and alertness (French rever).

the narrator is in a dreamlike state midway between sleep and wakefulness, […] "dorveille", a state that accentuates the inability to tell whether the events being recounted really happened or not.

Among indigenous and early peoples, the liminal state of dorveille (sleep-wake) is a time when you might stir and share dreams with whoever is available. […] Sometimes a whole poem or song is delivered within a dream or in that fluid in-between zone of sleep-wake, dorveille.

When sleep was divided into a two-act play, people were creative with how they spent the intermission. They didn’t have anxious conversations with imaginary doctors; they actually did something. During this dorveille, or “wake-sleep,” people got up to pee, hung out by the fire, had sex, or prayed.