Hagiography

The second half of the eleventh century saw a notable surge of interest in hagiography throughout England, which meant that many of the Anglo-Saxon saints of earlier eras were furnished, often for the first time, with a Latin Vita.

Jacques LeGoff remarks, 'Hagiography tells us much about the mental infrastructure [of the middle ages]: the interpenetration between the tangible world and the supernatural world, the common nature of the corporeal and psychic, are the conditions which make miracles and related phenomena possible.

Charters, wills, and monastic rules offer evidence for this transformation, but it is hagiography and its double-scoped discourse that illuminates it best, and we will start with a vita that pursued the question of peroperty and prestige more comprehensively than the rest, the Vita Sadalbergae.

Churchill revisionism, of course, is almost as much of a cottage industry as Churchill hagiography.

For an obsequious hagiography of [William] Byrd, see L. Wright 1940. For a more critical assessment, see Lockridge 1987, 1992.

This 'cultivated characteriology' (ibid., p. 117) is one that she suggests has been reduced to the cult of the theorist's personality in many of the hagiographies written about Foucault, missing how he cultivated his ethos or characteriology in order to persuade, seduce, unsettle, question, and so forth.

Between 2000 to 2019, 55% of leading actor and actress Oscars went to performances in a biopic. Over the past four years, the genre has been responsible for 63 Oscar nominations. Yet at the same time, hagiography has resurfaced as a pre-requisite for success.